| Front Matter |
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Christopher Hartney, George Ioannides |
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| Introduction: Between Limits and Extremes |
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Christopher Hartney |
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| Representations of Nature Limited and Unlimited: A Speculative Essay |
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Norman Simms |
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| Pietistic Peneration: Aesthetics of Queer Sacrality in Derek Jarman's Sebastiane (1976) |
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George Ioannides |
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| Representations of Jesus in Islamic Mysticism: Defining the 'Sufi Jesus' |
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Milad Milani |
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| The Limits of Taste: Politics, Aesthetics, and Christ in Contemporary Australia |
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Zoe Alderton |
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| The Survival of Indigenous Spirituality in Contemporary Australia |
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Liam Sutherland |
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| Sentient Symbols: The Implications of Animal Cruelty Debates in Contemporary Australian Art |
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Sarah K. Balstrup |
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| Transgressive Representations: Satanic Ritual Abuse, Thee Temple ov Psychick Youth, and First Transmission |
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Danielle Kirby |
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| Tragic Travels and Postmnemonic Alterity in W.G. Sebald's Austerliz: A Peratologic Analysis |
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Catalina Botez |
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| Between National Censorship and the Limits of Representation: On Thyestes, Salo, Cultural Warnings, and Trauma |
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Christopher Hartney |
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| REVIEW ESSAY: Talking of Michelangelo: Routine and Radical Inquiry into Literature and Aesthetics |
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Bruce Gardiner |
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| End Matter |
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Christopher Hartney, George Ioannides |
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